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FDV: "So come all ye wealthy gentrymen with ladyfulls of fun! The jolly and the lively, thou billy with thee coo, to jog a jig on a crispness night and sing a missal too. Hip champouree! Hiphip champouree! O you longtailed blackman, poke it up behind me! Hip champouree! Hiphip, champouree! And, jessies, push the pumkik round, Annaliuia! Since the days of Roamaloose and Rehmoose the pavanos have been stridend through their Struts of Chapelldiseut, the vaulsies have meed and youdled through the purly ooze of Ballybough, many a mismy cloudy has tripped tauntily along that Hercourt strayed reelwey and Thyme, the chef of seasoners, has made his usual astewte use of endajustibles-- and though since then sterlings and guineas have been replaced by brooks and lions and some progress has been made on stilths and the races have come and gone and whatnot willbe isnor was those danceadeils and cancanzanies have come stimmering down for our begayment through the deafdom of pa's teapucs, as lithe as limb free limber as when momie played at ma. Such their petals are each of all has a stalk unto herself love and all of all of their understamens is as open as she posably feel it and turned straightout or sidewaist"

2DV: "So come ye wealthy gentrymen with ladyfulls of fun! The jolly and the lively, thou billy with thee coo, for to jog a jig on a crispness night and sing a missal too. Hip champouree! Hiphip champouree! O you longtailed blackman, poke it up behind me! Hip champouree! Hiphip, champouree! And, jessies, putsh the pumkik round, Annaliuia! Since the days of Roamaloose and Rehmoose the pavanos have been stridend through their struts of Chapelldiseut, the vaulsies have meed and youdled through the purly ooze of Ballybough, many a mismy cloudy has tripped tauntily along that hercourt strayed reelwey and the rigadoons have held ragtimed revels on the plateauplainof Grangegorman; and though since then sterlings and guineas have been replaced by brooks and lions and some progress has been made on stilths and the races have come and gone and Thyme, the {that} chef of seasoners, has made his usual astewte use of endadjustables and whatnot willbe isnor was those danceadeils and cancanzanies have come stimmering down for our begayment through the bedeafdom of po's greats, the obcecity of pa's teapucs, as lithe as limb free limber as when momie played at ma. Just so stylled are their petals are each of all has a stalk unto herself love and all of all of their understamens is as open as he can posably she and tournasoled straightout or sidewaist according to the courses of"



mysteries:

[03:38-05:25]

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FDV: "We think to thine, mighty innocent, that diddest bring it off fuitefuite. Should in ofter years it became about you will becoming a bank midland mansioner we and I shall reside with our obeisant servants at La Roserie, Ailesbury Road. Fyat-Fyat shall be our number on the autokinaton and Chubby in his Chuffs oursforownly chuffeur. {The Fomor's in his Fin, the Momor's her und hin. A paaralone! A paaralone! And Dublin's all adin.}"


mysteries:


[01:43-03:38]

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FDV: "He had his sperrits all foulen on him; he was bedizzled and beduzzled; and he looked like bruddy Hal. But could annybroddy have looked twinsomer than the kerl he left behind him? How he stud there {theirs} so kevinly{, a mickly dazzley,} with his gamecox spurts and his smile likuid glue, whiles his host of faceful spritties they went peahenning around him in neuchoristic congressulations, allauding to him by all the licknames in the litany and sending him perfumed prayerpuffs to bouchesave unto each but every{one} the havemercyonhurs of his kissier licence."



mysteries:

[08:43-08:58]
[00:00-01:44]

[Timeline of Finnegans Wake's composition]

[for now, this is based entirely on Hayman's FDV and Barger's Dreadful Omen]

1922:

Feb: "You are an abominable writer!"

Aug: "I think I will write a history of the world."

Oct? "Polyphemous is Ul[ysses]'s shadow"

"Isolde of Britt[any] - Pen[elope]  [Isolde of] White hands  Calypso"

1923: (II.3-4, IV, I.2-5)

"L[eopold] B[loom] meets self"

Mar: II.3 (380-382 ROC) [rw]

II.4 (384-399 T&I) [rw]
lost first draft

"2 Tristans (Doppel ganger)"
"Trist. meets self"
"Tantris is shadow of Tristan"
"T steps aside + has a look at himself"

Jul? IV (605-606 Kevin) [rw]

"unknown beggar comes to bigtimer in day of triumph to tell of
a past betise"
"what I'm afraid may be said to me I had better say first
myself"

Aug: I.2 (30-34 HCE) [rw]; IV (611-612 B&P) [rw]
Sep: II.4 (383-399 Mmlj) [rw]

Nov? I.3 (48-73) [rw]; I.4 (75-101)
Dec? IV (615-619); I.5 (104-125)


1924: (I.7-8, III.1-3)

Jan? I.7 (169-187)
Feb? I.8 (196-208)
Mar: III.1-2 (403-473)
Apr: transatlantic review (II.4)

Nov: III.3 (474-554)


1925: (III.4)

May: Criterion (I.5)
Jun: Contact Collection of Contemporary Writers (I.2 HCE)
Jul? Calender; Navire d'Argent (I.8)
Aug: This Quarter (I.7)
Sep: Transition (I.7)
Oct: III.4 (555-590)


1926: (I.6, II.2, I.1)

Mar? I.6 (126-149)

Jul? II.2 (282-304)

Oct: I.1 (3-23)


1927: (I.6)

Apr: Transition I.1; I.2

Jun: Transition I.3

Transition I.4; I.5; I.6; I.8

Jul? I.6 (152-159 Mookse&Gripes)


1928:

Feb: Transition (II.2)

Transition (III.1)

Anna Livia Plurabelle (I.8)


1929:

Feb: Transition (III.3)

May? Tales Told of Shem and Shaun (I.6) (II.2)

Nov: Transition (III.4)


1930: (II.1)

Jun: Haveth Childers Everywhere (III.3)

Oct? II.1 (222-236)


1931:


1932:

Two Tales of Shem and Shaun (I.6)


1933:

Transition (II.1)


1934:

The Mime of Mick Nick and the Maggies (II.1)


1935: (II.3)

II.3 (309-331)

Jun: Transition (II.2)


1936:

early: I.1


1937:

Feb: Transition (II.3)

IV (593-598)

Oct: Storiella as She Is Syung (II.2)


1938: (II.4)

Transition (II.3)

Jul: II.4 (383-399)


1939:

04May: pub

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FDV: "and if he hadn't got it toothick he'd a telltale tall of his pitcher on a wall with his photure in the papers for cutting moutonlegs and capers letting on he'd just be papers and his tail cooked up. Angelinas, hide from light those hues that your ain beau may bring to night! Though down on {to} your dowerstrip he's bent to knee he maun't know ledgings here. For a haunting way will go and you need not make your mow. Find the frenge for frocks and translace it into shocks of such as touch with show and show. / He is guessing at hers for all he is worse. Hark to his wily geeses goosling by, my and playfair, lady. / —Haps thee ore candy? / —Now. / —Haps thee mayjaunties? / —Nowhow. / —Haps thee per causes nunsibelli? / —Nowhowhow. / Get. / And he did a get; for he could chew upon a skarp snakk of pure undefallen engelsk as raskly and as baskly as your cow cudd spanich."



mysteries:

[07:03-08:43]

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Tishy the clumsy racehorse

FDV: "Then with his whoop, stoop and an upalepsy was he again before the trembly ones, gotten up like a simplasailar and shaking the storm out of his hiccup. He's a pigtail tarr"




mysteries:


[05:15-07:03]

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FDV: "— My Cod, alas, that dear old dumty home / Whereof in youthfood's port I preyed / Amouk thy verdigrassy convinct vallsall dazes. / And cloitered for amourmeant in thy boosome shede!
Hereapong shot pinging upthrough the errorooth of his wisdom as thought it had been zawhen intwo. Wholly {'s}anguish blooded up discomvulsing the fixtures of his fizz. Apang which his temporychewer med him a crazy chump of a Haveajube Silly ass {Sillsyass}. Howlsbawls, like gnawthing unheardh! He threwed his fit up to his aers, roled his polygone eyes, snivelled from the snose{ and blew the guff out of his hornypipe}."




mysteries:


[03:28-05:15]

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FDV: "and how he was ambothed upon by the very spit of himself {first on the cheakside by Michelargelo and then on the owld jowly side by Bill C. Babby}, and {the localmotoe} why they eggspilled him out of his homety domum and the bes and schortest way of blacking out a caughtalook of all the sorrors of Sexton. With tears such as engines weep."




mysteries:


[01:27-03:29]

[Lewis Carroll in Finnegans Wake]

Charles Lutwidge Dodgson (1832-98) [wiki] [complete]
Lewis Carroll (penname 1856ff) [fweet-97]

And there many have paused before that exposure of him by old Tom Quad, a flashback in which he sits sated, gowndabout, in clericalease habit, watching bland Sol slithe dodgsomely into the nethermore, a globule of maugdleness about to corrugitate his mild dewed cheek and the tata of a tiny victorienne, Alys, pressed by his limper looser.

057.26 "dodgsomely"
228.16 "Dodgesome Dora"
234.15 "looiscurrals"
294.07 "loose carollaries"
361.21 "grootvatter Lodewijk"
374.02 "Dadgerson's dodges"
482.01 "Dodgfather, Dodgson and Coo"
501.34 "Lewd's carol!"

stutter [fweet-135]

1850: Christ Church [fweet-16], Oxford [fweet-34]
057.24 "Tom Quad"
481.36 "Tam Tower"

1855-62: Mischmasch [wiki] [pdf] [etext]
366.13 "your one mothers, mitsch for matsch"
459.03 "solve qui pu while the dovedoves pick my mouthbuds (msch! msch!) with nurse Madge, my linkingclass girl, she's a fright"
466.12 "his feelings you'll very much hurt for mishmash mastufractured"

1856: 24yo CLD meets 4yo Alice Liddell
'Alice' [fweet-74] (clericalease, Alys, Jalice, Anisette, Two Lice, 'alices, Alesse, Alice Jane, Hey, lass!, a lessle, a lissle, Alis, alas, A liss, Ellis, alice, Alys!, a lass, salices, Secilas, Alicious, alas, alce)

1865: Alice's Adventures in Wonderland [fweet-36] [ms] [etext]

106.21 "Measly Ventures of Two Lice and the Fall of Fruit"
270.20 "Wonderlawn's lost us for ever. Alis, alas"
276.F12 "A liss in hunterland."
333.01 "Why, wonder of wenchalows"
354.23 "limbs wanderloot"
374.03 "wonderland's"
528.17 "Alicious, twinstreams twinestraines, through alluring glass or alas in jumboland?"
618.22 "on Wanterlond Road"

268.14 "Stew of the evening, booksyful stew"
576.07 "Will you, won't you, pango with Pepigi?"

Mad Hatter:
050.26 "occasionally cockaded a raffles ticket on his hat"
083.01 "it's hatter's hares, mon" (also March Hare)

Mock Turtle:
152.15 "The Mookse and The Gripes" (w/the Gryphon??)
393.11 "the muckstails turtles"
567.14 "mocktitles"

caterpillar w/hookah:
461.34 "capitally with his bubbleblown"


1871: Through the Looking-Glass, and What Alice Found There (includes "Jabberwocky" and "The Walrus and the Carpenter") [fweet-22] [etext] [1902]

294.08 "ever Ellis threw his cookingclass"
459.03 "nurse Madge, my linkingclass girl"
526.35 "Secilas through their laughing classes becoming poolermates in laker life"
528.17 "Alicious, twinstreams twinestraines, through alluring glass or alas in jumboland?"
628.12 "We pass through grass behush the bush"

White Knight:
277.14 "a white night high"
501.28 "Was it a high white night now?"

Tweedledum and Tweedledee:
258.24 "tweedledeedumms down to twiddledeedees"   

Tumtum:
231.05 "tumtum"

slithy:
057.26 "watching bland sol slithe dodgsomely into the nethermore"

beamish:
405.16 "beamish"

galumphing:
502.10 "galumphantes"

portmanteau:
113.02 "postmantuam glasseries"
240.36 "his portemanteau"

cabbages and kings:
613.06 "cabs and cobs, kings and karls"


other works [fweet-6] [etexts]

1876: The Hunting of the Snark [etext]
1889: Sylvie and Bruno [etext]
1893: Sylvie and Bruno Concluded [etext]

1898: [letters]
311.12 "the key of Efas-Taem"


Alice Jane Donkin (1851-1929)

1862: 30yo CLD photographs 11yo AJD [pic]
1866: 34yo CLD photographs 15yo AJD w/cousin Alice Emily Donkin

1871: 20yo marries CLD's 33yo brother Wilfred Longley

214.23? "Amn't I up since the damp dawn, marthared mary allacook, with Corrigan's pulse and vericoarse veins, my pramaxle smashed, Alice Jane in decline and my oneeyed mongrel twice run over, soaking and bleaching boiler rags, and sweating cold, a widow like me, for to deck my tennis champion son, the laundryman with the lavandier flannels?"


Alice Emily Donkin (?) [pic] [more?]


Alice Pleasance Liddell (1852-1934) [wiki] [fweet-10]

004.28 "He addle liddle phifie Annie ugged the little craythur."
048.03 "The Blackfriars treacle plaster outrage be liddled!"
207.26 "What had she on, the liddel oud oddity?"
226.28? "They ramp it a little, a lessle, a lissle."
270.19 "A spitter that can be depended on. Though Wonderlawn's lost us for ever. Alis, alas, she broke the glass! Liddell looker through the leafery, ours is mistery of pain."
315.03 "A butcheler artsed out of Cullege Trainity. Diddled he daddle a drop of the cradler on delight mebold laddy was stetched? Knit wear? And they addled (ere the cry of their tongues would be uptied dead), Shufflebotham asidled, plus his ducks fore his drills, an inlay of a liddle more lining maught be licensed all at ones, be these same tokens, forgiving a brass rap, sneither a whole length nor a short shift so full as all were concerned."
374.01 "All old Dadgerson's dodges one conning one's copying and that's what wanderland's wonderlad'll flaunt to the fair."
440.18 "I used to follow Mary Liddlelambe's flitsy tales, espicially with the scentaminted sauce."
448.25 "Do you know what, liddle giddles?"


Isa Bowman (1874–1958) [wiki] [fweet-12]

146.17 "isabeaubel"
226.04 "Poor Isa... Isolde? Her beauman's gone"
361.22 "his twy Isas Boldmans"
527.29 "Mon ishebeau"
556.09 "Madame Isa"

1886: 12yo meets 54yo CLD

1899: 25yo writes memoir after CLD's death [etext][fweet-17]

226.07 "Be good enough to symperise" ("Be good enough to tremble!")
234.18 "suessiest sourir ever weanling wore" ("the sweetest smile that ever a man wore")
234.34 "Happy little girlycums to have adolphted such an Adelphus!" ("Happy little girls who had such a master")

242 "That why he, persona erecta, glycorawman, arsenicful femorniser, for a trial by julias, in celestial sunhat, with two purses, agitating his theopot with wokkleabout shake, rather uncoherend, from one 18 to one 18 bis, young shy gay youngs. Sympoly for infusing up pritty lipidities to lock up their rhainodaisies and be nice and twainty in the shade. Old grand tut tut toucher up of young poetographies and he turn aroundabrupt red altfrumpishly like hear samhar tionnor falls some make one noise." ('the two purses that he carried'; 'He was very particular about his tea, which he always made himself, and in order that it should draw properly he would walk about the room swinging the tea-pot from side to side for exactly ten minutes'; 'always seemed a little unsteady in his gait'; 'he found it impossible to avoid stammering in his speech'; 'he had been himself a great amateur photographer... He always said that modern professional photographers spoilt all their pictures by touching them up absurdly to flatter the sitter'; (of Carroll seeing Isa Bowman drawing a caricature of him) 'suddenly he turned round and saw what I was doing. He got up from his seat and turned very red, frightening me very much. Then he took my poor little drawing, and tearing it into small pieces threw it into the fire without a word'; 'in the society of people of maturer age he was almost old-maidishly prim in his manner')


Dorothy Joy Poole (1882-1947)

526.35 "Secilas through their laughing classes becoming poolermates in laker life."


other children friends of Lewis Carroll: Winnie (Winfred) Stevens, Beatrice Hatch, Beatrice Earle, Nelly Bowman, Amy Hughes

227.14 "Winnie, Olive and Beatrice, Nelly and Ida, Amy and Rue"
(WOBNIAR)