[Storiella As She Is Syung]

[under development:
the theory is that this section originated as a continuation of draft six]

FDV: "Till wranglers for wringawrowdy ready are, {Aetius check to Atil's,} and ere commences the commencement lead us seek, O jenny of eves the the frivolest, who fleest from the fan to but wouldst attach thee to thy thick eschewer," (fw266)

before the twins are ready to fight, before that fight commences, consider Issy, who's more attracted to the twin who avoids her than to the one who expresses his own attraction

(who's "us"? who's "thee"? it was almost 'from... to')

Aetius, Attila and Genevieve are ShemShaun and Issy. Attila threatened Genevieve (who refused to flee) but Aetius distracted and defeated him. so if jenny isn't fleeing Atil, is Attila the thick eschewer Issy seems attracted to?
Joyce might have rejected 'Etius'
"eschewer" mutates to 'ensuer' (its opposite???)

mysteries: check, commencement, frivolest, thick

("check" is accurate re Aetius vs Attila, and will imply the chess motif when combined with "castellaunic")
"Aetius check" sounds like Oedipus Rex?

"Singalingalying. Storiella as she is syoung. Whence follweup with endspeaking nots for yestures whose satchet spilleth peas: &
¶(letter).
charman, charmants; who once under the branches of the elms, their shoes as yet unshent by the stoniness of the way, went," (fw267)

lying/sighing
♬ Ringel Ringel Reihe
with appropriate gestures (nods/nots/noes/yesses)
the peas (in Grimm) are a failed attempt to secretly mark her escape-path (ditto footnotes????)

(joyce was planning to insert a letter somewhere, 1st-person from Issy to someone (2nd person)-- maybe Shem? (ALP's letter is not to HCE, but about him, defending him.) we can guess that the shift from letter to footnotes for the Issy-voice was a major cause of the abandonment of draft six.)

why "their" not 'her'? is Charman a second Issy? is Storiella then the first?

"Hamlet" "How in my words somever she be shent,"


FDV: "arms enlacing, thinking about it, the It with the itch in it, the business we were born for. Soon she will knit while they will cudgel." (fw268)

her arms or their arms??? 3DV says "their" (both thinking about sex)
"we were born for" cf U-Proteus "naked women! ...What else were they invented for?"

while the twins fight (over Euclid?) she'll be knitting (creating, vs cudgel/destroy)

"Hamlet" v.i.63 '[First Clown] Cudgel thy brains no more about it.'


FDV: "No arithamathing for her, though she'll spin on bike through the missile of the nike with her toots upon the algebrars" (fw270)

probably aRITHamaTHING not aRITHaMATHing? (cf thingamajig)

(Cate Blanchett by Annie Leibovitz, 2004)

thru the middle of the night? (Nike missiles date from 1945; Nike doesn't rhyme with bike) ...middle of the fight?

VI.B.33.139d (r): 'to algebraise' = algebra-ise not alge-braze?
Issy's feminine grace transcends math?


FDV: "and that if there is a third person being spoken about it all proceeds from a first person speaking to a second person who is being spoken to." (fw268)

1st = Shem the geometry teacher, 2nd = Shaun the pupil, 3rd = Issy the bystander?

FDV: "From Nabob let me never stray so nimm me nice name the day." (fw270)

nabob = mogul, rich/powerful person, from 19thC India
"she... her" = 3rd person; "me... me" = 1st person (addressing 2nd person?)

'For nemo [no-one] let me never say neminis [genitive, use nullius] or nemine [ablative, use nullo]' (latin class mnemonic)
cf 468.18 "Fond namer, let me never see thee blame a kiss for shame a knee!"

nimm = take
nice=night/day


2DV: "Till wranglers for wringawrowdy ready are, Aetius check to Atil's, and ere commences castellaunic commencement lead us seek, O jenny of eves the the frivolest, who most ficklesome fleest fleet from the fervid fan but wouldst attach thee thick to thy eschewer, Mimosa multimimetica, the miming of miming (or is it an ash sapling) Singalingalying. Storiella as she is syung. Whence plutonically pursuant of a glimpse of gladrags follweup with endspeaking nots for yestures Pretty Prosepronette whose slit satchet spilleths peas: & charman, charmeur; who once under the branches of the elms, their shoes as yet unshent by the stoniness of the way, went, arms enlacing along by fancied banks of blooms & rambler roses, thinking about it, the It with the itch in it, the business we were born for. Soon my dear girl will knit in on solfa sofa while they will cudgel over division table. Achschan! She of minions novence charily being cupid. No Browne Nolan's arithamathing for her, our dear child, though she'll spin on youthlit's bike through the missile of the nike with her toots upon the algebrars and that if there is a third person being spoken about it all proceeds from a first person speaking to a second person who is being spoken to. From Nabob let me never stray so nimm me nice name the day. We've just been reading"

"The Meaning of Meaning" published 1923 [wiki]

solfa = solfège sightreading-training

Action!?

3DV: "Here till wranglers for wringawrowdy wready are and ere commence commencement catalaunic when Aetius' check chokewill Attil's gambit, lead us seek, O june of eves the jenniest, thou who fleest ficklesome the fervid frondeur to thickly thyselfattach with thine eft eased eschewer, lead us seek, lote us see, light us find, let us missnot maidadate, thou Mimosa Multimimetica, the maymeaminning of mamiemiening. Singalingalying. Storiella as she is syung. Whence followeup with endspeaking nots for yestures plutonically pursuant on any glimpse from gladrags, Pretty Prosepronette whose slit satchel spilleth peas. A one of charmers, yet Una Unica. Charmers who under the branches of the elms, in shoes as yet unshent by stoniness, wend went will wend, a way of fancied blooms and rambler roses, their arms enlocked, all thinking all of it, the It with an itch in it, the All every inch of it the pleasure each will preen her for, the business each was bred to. Soon they will cudgel about some arithmatic or other over Browne and Nolan's divisioning tables, whereas she, of minions' novence charily being cupid, will knit and sit on solfa sofa. All is her inbourne. From her grandmere of grammires she has it that if there is a third person being spoken abad it moods proceed from a first person speaking to her second which is being spoken at. Take the dative with his oblative, said gramma, but mind you're genderous. You may spin on youthlit's bike to multiplease your Nick and Mike with your kickshose on the algebrars but the O of woman is long if only those two muties sequent her so from Nabob see you never stray who'll nimm you nice and name the day. One hath just been areading, hath not one,"




[at some point the following was prepended, replacing draft six as the bridge from II.1???]

[fweb]

FDV: "Insertion.
(address) of Ʌ —sex at virginity Ivan's crescent flight
So let us follow them. Down Livy Lane, along Mezzofanti Mall, then across Lavatery Square, up Tycho Brahe Terrace, along Isaac Newton Avenue through S. Catechista's gate till find ourselves in Guild Circus with memorability mosoleum of one who is more Mob than Man."

"address" implies speech, not housenumber? (where does Shaun address the Issys?)
mysteries: Ivan's crescent flight

2DV: "So let us follow them quick lunch. Down Livy Lane, along Mezzofanti Mall, then across Lavatery Square, up Tycho Brahe Terrace, along Isaac Newton Avenue through S. Catechista's gate till find ourselves (hoult!) in Guild Circus with memorability mosoleum Length Without Breath of one who is more Mob than Man."
3DV: "Hither let us as we have rest and followed them, quick lunch, buy our lefts, halt, long Livius Lane, Mid Mezzofanti Mall, diagonising Lavatery Square, up Tycho Brahe Crescent, Shouldering Berkeley's Alley? under Saint Cecilia's Archeway, to befinding ourselves, when old is sad and one, afore a mosoleum, Length without Breath, of Him, a chip off the evums who is more mob than Man."

FDV: "This bridge is upper. Cross. Thus came to castle. Knock. A password thanks. Yes pearse. Well all be dumbed. O Really. Who became earthwight. At first thought of thunder. Then she, a flutterby, Was netted and named. {Ardnacrusher, requiestress, wake them! And let light puresplutterall shine on cut of cod!} To house which wise fool ages builded. Sow byg eat. {The babers ply the pen; the bibbers drang the den. The publican, the publican, he's taking tin for ten.}"

2DV: "This bridge is upper. Cross. Thus came to castle. Knock. A password thanks. Yes pearse. Well all be dumbed. O Really. He hecame Hoo caved in earthwight. At fursht doom {krach} of thunder. Then shoo, his flutterby, Was netted and named. Erdnacrushar, requiestress, wake them! And let luck's puresplutterall loosey {lucy} at ease! To house as wise fool ages builded. Sow byg eat. The babers ply the pen; the bibbers drang the den. The papplicom, the pubblicam, he's tilling tin for ten."